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102 Cards in this Set

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Chartres, cathedral church of Notre Dame (France): junction of nave and transept: from 1194. Architect unknown.

Beauvais, cathedral church of St Peter (France): interior looking east. Circa 1225-60. Architect unknown.

Beauvais, cathedral church of St Peter (France): exterior view of the east end, showing flying buttresses. Circa 1225-60. Architect unknown.

Anon., Barberini Ivory, Emperor Justinian, early 6th century, Louvre.

Anon., Icon of the Virgin and Child, late 12th – early 13th century, Mosaic, Sinai, St Catherine’s Monastery.

Anon., Virgin and Child Enthroned (“Kahn Madonna”), c. 1250-1275. Tempera on panel, Washington, National Gallery of Art.

Nicola Pisano, Pisa Baptistery pulpit (1260) - whole.

Nicola Pisano, Nativity, detail of the Pisa Baptistery pulpit (1260).

Nicola Pisano (with Giovanni), Adoration of the Magi, detail of the Siena Cathedral pulpit (1265-68).

Nicola and Giovanni Pisano, Fontana Maggiore, Perugia (completed 1278) – whole.

Giovanni Pisano, Massacre of the Holy Innocents, detail of the pulpit in San Andrea, Pistoia (c.1298-1301).

Giotto and assistants, Last Judgement: fresco, c. 1305. Arena chapel, Padua – whole.

Giotto, Nativity of Christ: fresco, c. 1305. Arena chapel, Padua.

Giotto, Arrest of Christ: fresco, c. 1305. Arena chapel, Padua.

Duccio, Maestà (front): panel painting, 1308-11. Florence, Uffizi – whole.

Duccio, Maestà (back): panel painting, 1308-11. Florence, Uffizi – whole.

Simone Martini, Maestà: wall painting (a secco technique),1315 and 1321. Siena, Palazzo Pubblico: Saladel Mappamondo.



Anonymous French or English painter, Wilton Diptych: Richard II of England with his patron saints and the Virgin and Child with angels (c.1395-99), tempera on oak panel, 36.8 x 26.7 cm, London, National Gallery.

Limburg Brothers (d. 1416), Feasting (calendar miniature: January), from the Très Riches Heures de Jean, duc de Berry (c.1412-16), Chantilly, Musée Condé.

Anonymous (Paris?, 14th century), Table Fountain, gilt silver and translucent enamel. h 33.8, w 25.4, d 26 cm, The Cleveland Museum of Art.

Claus Sluter (d. 1405/6), Portal with Duke Philip the Bold of Burgundy and Margaret of Flanders, and the Virgin Mary on the trumeau (1389-1406), Charterhouse of Champmol, Dijon.

Jan van Eyck (d. 1441), Man with a Red Chaperone (Self-Portrait?) (1433), oil on panel, 33.3 x 25.8 cm (incl. frame), London, National Gallery.

Hubert (d. 1426) and Jan van Eyck (d. 1441), Ghent Altarpiece (started c.1423-5, completed 1432), polyptych, oil on panel, exterior/ closed position, 375 x 260 cm incl. frame, Ghent, Cathedral of St Bavo.

Hubert and Jan van Eyck, Ghent Altarpiece (completed 1432), polyptych, oil on panel, interior / open position, 375 x 520cm incl. frame, Ghent, Cathedral of St Bavo.

Jan van Eyck (d. 1441), Madonna with Chancellor Rolin (c. 1434-36), oil on panel, 66 x 62 cm, Paris, Louvre.

Jan van Eyck (d. 1441), Madonna with Canon Joris van der Paele (c.1434-36), oil on panel, 121 x 157 cm, Bruges, Groeninge Museum.

Workshop ofRobert Campin (d. 1444), Annunciation Triptych (a.k.a. Merode Altarpiece) (c.1427-32), 64 x 27 cm (each wing) and 64 x 63 cm (central panel, without frame), New York, Cloisters Museum.

Rogier van der Weyden (c.1399-1464), Descent from the Cross (or Deposition of Christ) (c.1435), oil on panel, 204.5 x 261.5 cm, Madrid, Prado.

Rogier van der Weyden (c.1399-1464), Last Judgement Polyptych (c.1443-51), closed / exterior, oil on panel, Beaune,Hôtel-Dieu.

Rogier van der Weyden (c.1399-1464), Last Judgement Polyptych (c.1443-51), open,oil on panel, 215 x 560 cm, Beaune, Hôtel-Dieu.

Hugo van der Goes (c.1440-1482), Portinari Altarpiece (c.1475), open, oil on panel, 254 x 589.2 cm, Florence, Uffizi Gallery.

The Five Orders of Architecture

Sebastiano Serlio, Table of Classical Orders from Regole Generali di Architettura, Venice: Francesco Marcolini, 1537, p. VI.

Filippo Brunelleschi, Ospedale degli Innocenti, started in 1419, Florence.

Filippo Brunelleschi, Double-Shell Dome, 1417-36,Cathedral (Santa Maria del Fiore), Florence.

Filippo Brunelleschi, Dome: detail of lantern,1436-50, Cathedral (Santa Maria del Fiore), Florence.

Leon Battista Alberti, San Francesco (Tempio Malatestiano), Rimini, c.1453.

Leon Battista Alberti, Façade S. Maria Novella, Florence, 1458-70.

Leon Battista Alberti, Sant’Andrea, interior, Mantua, begun in 1472.

Ghiberti, Adam & Eve Scenes, from his second Baptistery Doors (Doors of Paradise), c. 1429-36.

Donatello, St Mark for the niche of the Linen Workers’ Guild at Orsanmichele, 1411-14, Marble, 2.6m, Museo di Orsanmichele, Florence.

Nanni di Banco, ‘Four Crowned Saints’ (Quattro Santi Coronati) for the niche of the Stonemasons & Woodworkers,Marble, 1.8m., Orsanmichele, c. 1415.

Donatello, St George, for Armourers’ Guild,detail of relief of St George killing the dragon (39x120cm), 1410-15, Marble,Orsanmichele.

Donatello, David, made for the Medici,Bronze, 1.58m, 1430-60?, Museo Nazionale del Bargello, Florence.

Gentile da Fabriano, Strozzi altarpiece (Adoration of the Magi): completed 1423. Florence, Uffizi Gallery.

Masaccio and Masolino, St Ambrogio altarpiece(Sant'Anna Metterza [/] Annaselbdritt): 1423-5. Florence, Uffizi Gallery.

Masaccio, Expulsion of Adam and Eve from Eden (fresco): c. 1427. Brancacci chapel, Santa Maria del Carmine,Florence.

Masaccio, Baptism of the Neophytes (fresco): c. 1427. Brancacci chapel, Santa Maria del Carmine, Florence.

Domenico Ghirlandaio, Visitation, 1489-1490, Florence, Santa Maria Novella, Tornabuoni Chapel.

Sandro Botticelli, Primavera, mid 1470s.

Sandro Botticelli, Birth of Venus, c. 1485.

Anonymous German artist, St Christopher (‘Buxheim’ woodcut) (1423), hand-coloured.

Master E.S. (German engraver, active c.1450-1467), Large Einsiedeln Madonna (1466), engraving, hand-coloured.

Master of the Playing Cards, 3 of deer(c.1430-1450), engraving.

Martin Schongauer (German, 1435/50–1491), Road to Calvary, or Christ Carrying the Cross (c.1475-80), engraving.

Housebook master (German, active c.1470-1500), The Holy Family with the Rose-bush (c.1490), drypoint.

Tilman Riemenschneider, St Barbara (c.1510-20), Bavarian National Museum, Munich.

Tilman Riemenschneider, Altarpiece of the Assumption of the Virgin Mary (c. 1505-10), Creglingen(whole).

Tilman Riemenschneider, Holy Blood altarpiece (1499-1505), Rothenburg ob der Tauber (whole).

Tilman Riemenschneider, Holy Blood altarpiece (1499-1505), Rothenburg ob der Tauber: detail of central corpus showing Last Supper.

Hieronymus Bosch, Tabletop of the Seven Deadly Sins and Four Last Things, oil on panel (c.1500?), Madrid, Prado.

Hieronymus Bosch, Garden of Earthly Delights, triptych, oil on panel (c.1500?), closed, Madrid, Prado.

Hieronymus Bosch, Garden of Earthly Delights (c.1500?),triptych, oil on panel, open, Madrid, Prado.

Matthias Grünewald, Isenheim Altarpiece (1512-16), oil on panel, 800 x 500 cm, closed state, Colmar, Muséed’Unterlinden.

Piero Della Francesca, The Flagellation of Christ, tempera on panel, c.1448-9, Galleria delle Marché, Urbino.

Piero della Francesca, The Baptism of Christ, tempera on panel, 1440s-50s, NationalGallery, London.

Piero della Francesca, The Dream of Constantine from The Story of the True Cross, c.1454-58, fresco, Cappella Maggiore, Dan Francesco, Arezzo.

Piero della Francesca, The Resurrection of Christ, fresco, c.1458, Museo Civico, Sansepolcro.

Albrecht Dürer, Self-portrait in a Fur-Collared Robe (1500), oil on panel, 67 x 49 cm, Munich, Alte Pinakothek.

Albrecht Dürer, Christ Among the Doctors (1506), oil on panel, 65 x 80 cm, Madrid, Museo Thyssen-Bornemisza.

Albrecht Dürer, Adam and Eve (1504),engraving, 25.2 x 19.4 cm.

Albrecht Dürer, Knight, Death and the Devil(1513), engraving, 24.6 x 19 cm.

Joachim Patinir (d. 1524), Crossing the River Styx (1520-24), oil on panel, 64 x 103 cm, Madrid, Prado.

Jan Gossaert (1478-1532), Neptune and Amphitrite (1516), oil on panel, 188 x 124 cm, Berlin, Gemäldegalerie.

Pieter Bruegel, Fall of Icarus (c.1555-58), oil on panel, 73.5 x 112 cm, Brussels, Royal Museum of Fine Arts.

Pieter Bruegel, The Hunters in the Snow (winter: December/January) (1565), oil on panel, 117 x 162 cm, Vienna, Kunsthistorisches Museum.

Andrea Mantegna, San Zeno Altarpiece, 1456-1459, Verona, church of San Zeno.

Andrea Mantegna, Camera picta, 1465-1474, Mantua, Ducal Palace, full view of two walls and ceiling.

Andrea Mantegna, The Triumphs of Caesar. Julius Caesar on his Chariot (canvas 9), c.1484-92.

Gentile Bellini (attributed to), The Sultan Mehmet II, 1480.

Leonardo da Vinci, Adoration of the Magi, 1481-3, Uffizi, Florence.

Leonardo da Vinci, Virgin of the Rocks, mid-late 1480s, Louvre, Paris.

Leonardo da Vinci, Last Supper, 1495-8, Santa Maria delle Grazie, Milan.

Leonardo da Vinci, Virgin and Child with St. Anne? and John the Baptist, c.1505, National Gallery, London.

Michelangelo, Pietà, c.1500, Vatican.

Michelangelo, David, 1504, Galleria dell’ Accademia, Florence.

Michelangelo, Doni Tondo, 1504-06, Florence, Uffizi.

Michelangelo, Ceiling of the Sistine Chapel,1508-1512, detail, ignudi.

Michelangelo, The Last Judgement, 1535-1541, Sistine Chapel, Rome.

Pantheon, 126 AD: Rome.

Bramante, Tempietto (‘Little Temple’), c. 1502: Rome, church of San Pietro in Montorio.

Bramante, Santa Casa (‘Holy house’), Loreto: begun 1509.

Raphael, School of Athens (Philosophy), 1510-11, Fresco, Rome, Vatican Palace, Stanza della Segnatura.

Raphael, Sistine Madonna, c. 1513, Oil on canvas, Dresden, Staatliche Museen.

Raphael, Pope Julius II, 1512, Oil on panel, London, National Gallery.

Raphael, Transfiguration, 1518-20, Oil on panel, Rome, Pinacoteca Vaticana.

Giovanni Bellini; St. Francis in the Desert. late 1470's.

Giorgione, The Tempest, c. 1505-1506

Giorgione, The Old Woman ('La Vecchia') c. 1510

Titian, The Portrait of a Lady ('La Schiavona'), c. 1510-1512.

Titian, The Assumption of the Virgin ('Assunta'), c. 1515-1518, Venice, Church of Santa Maria Gloriosa dei Frari

Titian, Diana and Actaeon, 1556-1559.